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  • Power of Art Episode 1


    Power of Art

    Episode 1: Caravaggio

    Focusing on eight iconic works of art such as Caravaggio’s David and Goliath, David’s Death of Marat and Picasso’s Guernica, this series reveals the history of visual imagination through the ages.

    A combination of dramatic reconstruction, spectacular photography and Simon Schama’s unique and personal style transport the viewer back to the intense moments the great works were conceived and born; from the murderous world of baroque Rome; paranoid, revolutionary Paris and the carnage of civil war Spain to the paradox of 1950s New York, caught between Cold War jitters and Manhattan glitter. Simon Schama’s Power of Art is the epic story of an unfolding force, a chance to witness the power of the individuals who changed the way we view the world.

    Caravaggio’s approach to painting was unconventional. He avoided the standard method of making copies of old sculptures and instead took the more direct approach of painting directly onto canvas without drawing first. He also used people from the street as his models. His dramatic painting was enhanced with intense and theatrical lighting.

    Power of Art, 5.0 out of 6 based on 5 ratings
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    • Snap Judgement

      Oh dear, oh dear! Simon has nothing to say and says it at extraordinary length. This tedium is interrupted from time to time by vingettes of ‘historical re-enactment’ about which nothing can be said which would be sufficient compensation for having to witness them except that during them we are spared the background music. I suppose we could call it music… Earlier episodes are endurable but what is that droning noise that goes on and on and on in the background of the Turner episode? Bloody Nora! I went and defrosted the fridge in order to get away from it. I don’t know if I can force myself to watch any more. This is Art History 101 and I mean that in the worst possible way. Do not, I repeat NOT, expect any original criticism of the tired same old, same old from the Old Masters School of Western Art. Avoid watching these programmes if you have any sort of a life at all. Sadly, I am off work because I am suffering from a brain tumor and waiting for treatment so I don’t have much of a life right now and would probably watch anything that moves although this is straining even my commitment. If anything can make a brain tumor enjoyable this would be it. Ugh! Sorry, Simon, but really?!?